Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael madonna della tenda oil painting


madonna della tenda
alte pinakotek, munich oil on wood, diameter 71cm se
Painting ID::  64838
Raphael
madonna della tenda
alte pinakotek, munich oil on wood, diameter 71cm se
   
   
     

Raphael alba  madonna oil painting


alba madonna
national gallery of art, washington oil on wood transferred to canvas, diameter95cm se
Painting ID::  64839
Raphael
alba madonna
national gallery of art, washington oil on wood transferred to canvas, diameter95cm se
   
   
     

Raphael donna velata oil painting


donna velata
palazzo pitti, florence oil on canvas, 85x64cm
Painting ID::  64840
Raphael
donna velata
palazzo pitti, florence oil on canvas, 85x64cm
   
   
     

Raphael portrait of baldassare castiglione oil painting


portrait of baldassare castiglione
muse'e du louvre, paris oil on wood transferred to canvas,82x66cm se
Painting ID::  64841
Raphael
portrait of baldassare castiglione
muse'e du louvre, paris oil on wood transferred to canvas,82x66cm se
   
   
     

Raphael fedra inghirami oil painting


fedra inghirami
isabella stewart gardner museum, boston oil on wood 89x62 se
Painting ID::  64843
Raphael
fedra inghirami
isabella stewart gardner museum, boston oil on wood 89x62 se
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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